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Thursday, May 28, 2009

Ello - Masih Ada

Hari-hariku lewati hanya sendiri tanpa kekasih 
Tapi tetap ku nikmakti indahnya hari tanpa tambatan hati 

Reff: 
Aku ingin menjadi setitik awan kecil dinadi 
Bersama mentari 
Walaupun kusendiri tapi aku masih ada 
Masih ada cinta dihati 

Kadang aku merindukan 
Merindukan sentuhan 
Sentuhan wanita 

Ingin ku curahkan semua 
Semua hasrat dijiwa 
Yang t’lah lama ku pendam 

Back to Reff: 

Hari-hariku lewati hanya sendiri tanpa kekasih 
Walaupun kusendiri tapi ku masih bisa bahagia


Ello ~ Masih Ada

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Jason Mraz - Lucky (Feat Colbie Caillat)

Do you hear me? 
Talking to you 
Across the water 
Across the deep blue ocean 
Under the open sky 
Oh my, baby I'm trying 

Boy I hear you in my dreams 
I feel your whisper across the sea 
I keep you with me in my heart 
You make it easier when life gets hard 

Lucky I'm in love with my best friend 
Lucky to have been where I have been 
Lucky to be coming home again 
Ohhhohhhohhhohhohhohhhohh 

They don't know how long it takes 
Waiting for a love like this 
Every time we say goodbye 
I wish we had one more kiss 
I'll wait for you, I promise you I will 

Lucky I'm in love with my best friend 
Lucky to have been where I have been 
Lucky to be coming home again 
Lucky we're in love in every way 
Lucky to have stayed where we have stayed 
Lucky to be coming home someday 

And so I'm sailing through the sea 
To an island where we'll meet 
You'll hear the music fill the air 
I'll put a flower in your hair 

Though the breezes through the trees 
Move so pretty, you're all I see 
As the world keeps spinning round 
You hold me right here right now 

Lucky I'm in love with my best friend 
Lucky to have been where I have been 
Lucky to be coming home again 
Lucky we're in love in every way 
Lucky to have stayed where we have stayed 
Lucky to be coming home someday 
Ohhhohhhohhhohhohhohhhohh 

Ohhhohhhohhhohhohhohhhohhohhohhohh

Jason Mraz ~ Lucky (Feat Colbie Caillat)









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Jason Mraz - I'm Yours

Well you done done me and you bet I felt it
I tried to be chill but you're so hot that I melted
I fell right through the cracks
Now I'm trying to get back
Before the cool done run out
I'll be giving it my bestest
And nothing's going to stop me but divine intervention
I reckon it's again my turn to win some or learn some

I won't hesitate no more, no more
It cannot wait, I'm yours

Well open up your mind and see like me
Open up your plans and damn you're free
Look into your heart and you'll find love love love love
Listen to the music of the moment babay sing with me
We're just one big family
And It's our God-forsaken right to be loved love loved love loved

So I won't hesitate no more, not yours
It cannot wait I'm sure
There's no need to complicate
Our time is short
This is our fate, I'm yours

Scooch on over closer dear
And i will nibble your ear

I've been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and laughed
I guess what I'm be saying is there ain't no better reason
To rid yourself of vanity and just go with the seasons
It's what we aim to do
Our name is our virtue

But I won't hesitate no more, no more
It cannot wait I'm yours

Well open up your mind and see like me
Open up your plans and damn you're free
Look into your heart and you'll find that the sky is yours
Please don't, please don't, please don't
There's no need to complicate
Cause our time is short

This oh this this is out fate, I'm yours!

Jason Mraz ~ I'm Yours

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Peterpan - Tak Ada Yang Abadi

Takkan selamanya tanganku mendekapmu 
Takkan selamanya raga ini menjagamu 

Seperti alunan detak jantungku 
Tak bertahan melawan waktu 
Semua keindahan yang memudar 
Atau cinta yang telah memudar 

Reff: 
Tak ada yang abadi 
Tak ada yang abadi 
Tak ada yang abadi 
Tak ada yang abadi 

Biarkan aku bernafas sejenak 
Sebelum hilang 

Tak kan selamanya tanganku mendekapmu 
Tak kan selamanya raga ini menjagamu 
Jiwa yang lama segera pergi 
Bersiaplah para pengganti 

Back to Reff

Peterpan ~ Tak Ada Yang Abadi

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Gigi - Ya Ya Ya

[intro] F#m C#m D A 2x 

F#m C#m D E  
Akulah Sempurna akulah idaman 
F#m C#m D 
Aku yang kau cari aku yang penuhi 
F#m C#m 
Kau tahu semua itu 
A B 
Kau pun tak merasakannya 
F#m C#m 
Kau pun tak mengakuinya 
 D E 
Terima saja terima 

[intro] F#m C#m D A 
  F#m C#m D 

F#m C#m 
Menunggu itu bosan 
A B 
Bosan yang memusingkanku 
F#m C#m 
Coba saja kau merasakan 
D E 
Terima saja terima 

[chorus] 
A E/G# 
Apa sih yang kau tunggu 
F#m C#m 
Apa sih yang kau mau 
  D 
Langsung saja 
  C#m 
Coba katakan ya 
  Bm 
Coba katakan ya 
  E 
Coba katakan kau ya.. setuju 

A E/G# 
Kau pikir aku santai 
F#m C#m 
Kau pikir aku sabar 
  D 
Langsung saja 
  C#m 
Coba katakan ya 
  Bm 
Coba katakan ya 
  E 
Coba katakan kau ya.. 

[coda] A E/G# F#m D 
  A E/G# F#m 
  A E/G# F#m D 

  A E/G# F#m

Gigi ~ Ya Ya Ya

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Wali Band - Cari Jodoh

[intro] Bm A G A Bm 

Bm 
Apa salahku apa salah ibuku 
  A Bm 
Hidupku dirundung pilu 
  Bm 
Tak ada yang mau dan menginginkan aku 
  A Bm 
Tuk jadi pengobat pilu 
  A Bm 
Tuk jadi penawar rindu 
  G A Em 
Tuk jadi kekasih hatiku 


[intro] Bm A G A Bm 

 Bm 
Timur ke barat selatan ke utara 
  A Bm 
Tak juga aku berjumpa 
 Bm 
Dari musim duren hingga musim rambutan 
  A Bm 
Tak kunjung aku dapatkan 
  A Bm 
Tak jua aku temukan 
  G A Em 
Oh Tuhan inikah cobaan 

  Bm 
Ibu-ibu bapak-bapak 
Siapa yang punya anak 
  A 
Bilang aku aku yang tengah malu 
  G 
Sama teman-temanku 
  A Bm 
Karna cuma diriku yang tak laku-laku 

  Bm 
Pengumuman-pengumuman 
Siapa yang mau bantu 
  A 
Tolong aku kasihani aku 
  G 
Tolong carikan diriku kekasih hatiku 
 A Bm 
Siapa yang mau 

[interlude] A G A Bm 

Bm 
Ibu bapak punya anak 
  A 
Bilang-bilang aku aku yang tengah malu 
  G 
Sama teman-temanku 
  A Bm 

Karna cuma diriku yang tak laku-laku

Wali Band ~ Cari Jodoh

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Ungu - Hampa Hatiku

Bm 
Pernahkah kau merasa 
F# 
Pernahkah kau merasa 

[intro] Bm G F# 2x 
  Bm F# 

Bm 
Cukup sudah ku berikan cintaku 
F# 
Cukup sudah rasa ini untukkmu 
Bm 
Mati sudah hati ini padamu 
F# 
Mati sudah hasrat ingin bersamamu 


[chorus] 
Bm 
Pernahkah kau merasa hatimu hampa 
F# 
Pernahkah kau merasa hatimu kosong 
Bm 
Pernahkah kau merasa hatimu hampa 
F# 
Pernahkah kau merasa hatimu kosong 

[intro] Bm F# 


Bm 
Buang saja semua kata cintamu 
F# 
Buang saja semua kata maafmu 
Bm 
Hancur sudah hati ini padamu 
F# 
Hancur sudah hasrat ingin bersamamu 


[intro] Bm F# 

[rap] 
Bm 
pernahkah pernah kah kau merasa 
di kala siang datang terasa gelap gulita 
  F# 
tak ada cahaya hanya gelap hitam dan kelam 
tak ada lagi suka tak ada rasa 
Bm 
pernahkah pernah pernah pernah pernah pernahkah 
pernahkah kau merasa di saat diri terlelap 
F# 
meski gemuruh kian beradu slalu mengganggu 
kau tetap terlelap dalam tidurmu 

Bm 
Maafkan aku sayangku 
  F# 
bukan maksudku menyakitimu mengkhianatimu 
Bm 
Ampuni aku sayangku 
  F#  
jujur katakan aku tak lagi mencintaimu 


Bm F# 

Pernahkah kau merasa Pernahkah kau merasa  

Ungu ~ Hampa Hatiku

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Black Eyed Peas - Boom Boom Pow

Gotta get that [x3] 
Gotta get that that that, that that 

Boom boom boom (Gotta get that) [x4] 

Boom boom boom (That) [x2] 
Boom boom boom [x2] 

[Will.I.am] 
Yo 
I got the hit that beat the block 
You can get that bass overload 
I got the that rock and roll 
That future flow 

That digital spit 
Next level visual shit 
I got that (Boom boom boom) 
How the beat bang (Boom boom boom) 

[Fergie] 
I like that boom boom pow 
Them chickens jackin' my style 
They try to copy my swagga 
I'm on that next shit now 
I'm so three-thousand and eight 
You so two-thousand and late 
I got that boom boom boom 
That future boom boom boom 
Let me get it now 

Boom boom boom (Gotta get that) [x4] 

Boom boom boom (That) [x2] 
Boom boom boom [x2] 

[Taboo] 
I'm on the supersonic boom 
Y'all hear that space shit zoom 
When when I step inside the room them girls go apeshit, uh 
Y'all stuck on super A-shit 
They're no fast stupid a bit 
I'm on that HD flat 
This beat go boom boom pow 

[Apl.de.ap] 
I'm a beast when you turn me on 
Into the future cybertron 
Harder, faster, better, stronger 
Sexy ladies extra longer, cuz 
We got the beat that bounce 
We got the beat that pow 
We got the beat that 808 
That the boom boom in your town 

[Fergie] 
People in the place 
If you wanna get down 
Put your hands in the air 
Will.I.am drop the beat now 

[Will.I.am] 
Yep yep 
I be rockin' them beats (Yep, yep) 
I be rockin' them beats (Yep yep yep, yep) 

Here we go, here we go 
Satellite radio 
Y'all getting hit with (Boom boom) 
Beats so big I'm steppin on leprechauns 
Shittin' on y'all you with the (Boom boom) 
Shittin' on y'all you with the (Boom boom) 
Shittin' on y'all you with the... 
This beat be bumpin' bumpin' 
This beat go boom boom 

Let the beat rock 
Let the beat rock 
Let the beat r... 

This beat be bumpin' bumpin' 
This beat go boom boom 

[Fergie] 
I like that boom boom pow 
Them chickens jackin' my style 
They try to copy my swagga 
I'm on that next shit now 
I'm so three-thousand and eight 
You so two-thousand and late 
I got that boom boom boom 
That future boom boom boom 
Let me get it now 

Boom boom boom (Gotta get that) [x4] 

Boom boom boom (That) [x2] 
Boom boom boom [x2] 

Let the beat rock (Let the beat rock) 
Let the beat rock (Let the beat...) 

Let the beat r... (Let the beat rock, rock, rock, rock)

Black Eyed Peas ~ Boom Boom Pow

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David Archuleta - Crush

I hung up the phone tonight 
Something happened for the first time deep inside 
It was a rush, what a rush 

'Cause the possibility 
That you would ever feel the same way about me 
It's just too much, just too much 

Why do I keep running from the truth? 
All I ever think about is you 
You got me hypnotized, so mesmerized 
And I've just got to know 

Do you ever think when you're all alone 
All that we can be, where this thing can go? 
Am I crazy or falling in love? 
Is it real or just another crush? 

Do you catch a breath when I look at you? 
Are you holding back like the way I do? 
'Cause I'm trying and trying to walk away 
But I know this crush ain't goin' away-ay-ay-ay-ayy 
Goin' away-ay-ay-ay-ayy 

Has it ever crossed your mind 
When we're hanging, spending time girl, are we just friends? 
Is there more, is there more? 

See it's a chance we've gotta take 
'Cause I believe that we can make this into something that will last 
Last forever, forever 

Do you ever think when you're all alone 
All that we can be, where this thing can go? 
Am I crazy or falling in love? 
Is it real or just another crush? 

Do you catch a breath when I look at you? 
Are you holding back like the way I do? 
'Cause I'm trying and trying to walk away 
But I know this crush ain't goin' away-ay-ay-ay-ayy 
Goin' away-ay-ay-ay-ayy 

Why do I keep running from the truth? 
All I ever think about is you 
You got me hypnotized, so mesmerized 
And I've just got to know 

Do you ever think when you're all alone 
All that we can be, where this thing can go? 
Am I crazy or falling in love? 
Is it real or just another crush? 

Do you catch a breath when I look at you? 
Are you holding back like the way I do? 
'Cause I'm trying and trying to walk away 
But I know this crush ain't goin' away-ay-ay-ay-ayy 
This crush ain't goin' away-ay-ay-ay-ayy 
Goin' away-ay-ay-ay-ayy 
Goin' away-ay-ay-ay-ayy 

Goin' away-ay-ay-ay-ayy

David Archuleta ~ Crush

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The Virgin - Cinta Terlarang (Full Version)

kau kan slalu tersimpan dihatiku 
meski ragamu tak dapat kumiliki 
jiwaku 'kan slalu bersamamu meski kau tercipta bukan untukku 

tuhan berikan aku hidup satu kali lagi 
hanya untuk bersamany 
ku mencintainya 
sungguh mencintainya 
rasa ini sungguh tak wajar 
namun ku ingin tetap bersama dia 
untuk selamanya... 

mengapa cinta ini terlarang 
saat ku yakini kaulah milikku 
mengapa cinta kita tak bisa bersatu 
saat kuyakin tak ada cinta selain dirimu 

tuhan brikan aku hidup satu kali lagi 
hanya untuk bersamanya 
kumencintainya 
sungguh mencintainya 
rasa ini sungguh tak wajar 
namun kuingin bersama dia 
untuk selamanya... untuk selamanya... 

tuhan brikan aku hidup satu kali lagi 
hanya untuk bersamanya 
kumencintainya 
sungguh mencintainya 
rasa ini sungguh tak wajar 
namun kuingin bersama dia 
untuk selamanya... untuk selamanya...

Kuburan - Lupa Lupa Ingat

C G 
Leee mari mari rame rame kita kumpul tapi gak kebo 
G C 
Leee bukan nyanyi tulo tulo mari kita nyanyi yo 

[intro] C 

C G 
Lupa lupa lupa lupa lupa lagi syairnya 
G C 
Lupa lupa lupa lupa lupa lagi syairnya 
C G 
Ingat ingat ingat ingat cuma ingat kuncinya 
G C F G 
Ingat aku ingat ingat cuma ingat kuncinya 

[chorus] 
C Am Dm G 
C A minor D minor ke G ke 
  C Am Dm G 
C lagi A minor D minor ke G ke 
  C Am Dm G 
C lagi A minor D minor ke G ke 
  C 
C lagi 

[intro] C 

C Am Dm G 
C A minor D minor Ke G ke 
  C Am Dm G 
C lagi A minor Demi moore kece 
  C Am Dm G 
Ke C lagi A minor D minor ke G 
  C Am Dm G 
ke C lagi A minor D minor ke G 
  C Am Dm G 
ke C lagi A minor D minor Ke G 
  C Am Dm G 
Ke C lagi A minor D minor ke G 
  C 
ke C lagi 

Nah abis dari C kita kemana nih, 
  C 
Sudahlah kita ke C lagi saja (ke C lagi) 
jangan pusing-pusing 
  C 
Tau nih kayaknya ke C lagi aja (ke C lagi) 
jangan ngikutin teruslah 
  C 
Berantakan ini yang dapet (ke C lagi) 
Ey yang bener udahlah ganti ini 
  Cm 

Ke C lagi ke c lagi (ke C minoor)

Kuburan ~ Lupa Lupa Ingat

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Akon - Right Now (Na Na Na)

It's been so long 
that I haven't seen your face 
Im tryna be strong 
But the strength I have is washing away 
It wont be long before i get you by my side 
And just hold you, tease you, squeeze you till 
I was fill all my mind 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

Girl I know mistake were made between us two 
And we show our eyes that now even says somethings weren't true 
watch you go and haven't seen my girl since then 
why can it be the way it was 
coz you were my homie lover friend 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I can't lie 
I miss you much 
Watching everyday that goes by 
I miss you much 
Tell i get you back Im gone try 
I miss you much 
coz you are the apple in my eye 
Girl I miss you much 
I miss you much 
I can't lie 
I miss you much 
Watching everyday that goes by 
I miss you much 
Tell i get you back I m gonna try 
I miss you much 
You are the apple in my eye 
I miss you much 
I miss you much 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I want you to fly with me 
want you to fly 
I miss how you lie with me 
miss I how you lie 
jus wish you could dine with me 
wish you could dine 
the one that'll grind with me with me 
said the one that'll grind with me 

I want you to fly with me 
want you to fly 
I miss how you lie with me 
miss I how you lie 
I wish you could dine with me 
wish you could dine 
the one that'll grind with me with me 
said the one that'll grind with me 


I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now 

I wanna make up right now now now 
I wanna make up right now now now 
Wish we never broke up right now now now 
we need to link up right now now now

Linkin Park - What I've Done

In this farewell
There’s no blood
There’s no alibi
‘Cause I’ve drawn regret
From the truth
Of a thousand lies

[Pre-Chorus:]
So let mercy come
And wash away
What I’ve done

[Chorus:]
I'll face myself
To cross out what i’ve become
Erase myself
And let go of what i’ve done

Put to rest
What you thought of me
While I clean this slate
With the hands of uncertainty

[Pre-Chorus]

[Chorus]

For what I’ve done
I start again
And whatever pain may come
Today this ends
I’m forgiving what I’ve done!!!

[Chorus]

What I’ve done
Forgiving what I’ve done

Linkin Park - Breaking The Habit

Memories consume 
Like opening the wound 
I’m picking me apart again 
You all assume 
I’m safe here in my room 
(unless I try to start again) 

I don’t want to be the one 
The battles always choose 
‘Cause inside I realize 
That I’m the one confused 

I don’t know what’s worth fighting for 
Or why I have to scream 
I don’t know why I instigate 
And say what I don’t mean 
I don’t know how I got this way 
I know it’s not alright 
So I’m 
Breaking the habit 
Tonight 

Clutching my cure 
I tightly lock the door 
I try to catch my breath again 
I hurt much more 
Than anytime before 
I had no options left again 

I’ll paint it on the walls 
‘Cause I’m the one at fault 
I’ll never fight again 
And this is how it ends 

I don’t know what’s worth fighting for 
Or why I have to scream 
But now I have some clarity 
To show you what I mean 
I don’t know how I got this 
I’ll never be alright 
So I’m 
Breaking the habit 
Breaking the habit 
Tonight

Linkin Park - Numb

I'm tired of being what you want me to be
Feeling so faithless lost under the surface
Don't know what you're expecting of me
Put under the pressure of walking in your shoes
(Caught in the undertow just caught in the undertow)
Every step that I take is another mistake to you
(Caught in the undertow just caught in the undertow)

[Chorus]
I've become so numb I can't feel you there
Become so tired so much more aware
I'm becoming this all I want to do
Is be more like me and be less like you

Can't you see that you're smothering me
Holding too tightly afraid to lose control
Cause everything that you thought I would be
Has fallen apart right in front of you
(Caught in the undertow just caught in the undertow)
Every step that I take is another mistake to you
(Caught in the undertow just caught in the undertow)
And every second I waste is more than I can take

[Chorus]
I've become so numb I can't feel you there
Become so tired so much more aware
I'm becoming this all I want to do
Is be more like me and be less like you

And I know
I may end up failing too
But I know
You were just like me with someone disappointed in you

[Chorus]
I've become so numb I can't feel you there
Become so tired so much more aware
I'm becoming this all I want to do
Is be more like me and be less like you

[Chorus]
I've become so numb I can't feel you there
I'm tired of being what you want me to be
I've become so numb I can't feel you there
I'm tired of being what you want me to be

Hijau Daun - Suara (Ku Berharap)

Intro: D Bm G A
D
Disini aku masih sendiri,
Bm
merenungi hari2 sepi
G , A
Aku tanpamu, masih tanpamu...
D
Bila esok hari datang lagi,
Bm
kucoba untuk hadapi semua ini
G Em D
Meski tanpamu (2x)...

>>> >>>

Bm -- F#m
Bila aku dapat bintang yg berpijar
Bm -- F#m
Mentari yg terang bersamaku disini
Bm -- F#m
Kudapat tertawa-menangis merenung
Bm A
Ditempat ini aku bertahan...

Reff:
D Bm
Suara dengarkanlah aku,
G D Em
apa kabarnya pujaan hatiku
A Bm
Aku disini menunggunya,
G F#m Em A
masih berharap di dalam hatinya...
D Bm
Suara dengarkanlah aku,
G D Em
apakah aku s'lalu di hatinya
A Bm
Aku disini menunggunya,
G F#m Em A
masih berharap di dalam hatinya...

>>> >>>


Kalau ku masih tetap disini,
Bm
kulewati semua yg terjadi
G F#m -- Em , C
Aku menunggumu, aku menunggumu...

Int'loud: Bm A G D A G
Em F#m G A

Nidji - Bila Aku Jatuh Cinta

Intro = A Bm7 F#m E
  A Bm7 F#m D
  A
Bila aku jatuh cinta
  F#m
Aku mendengar nyanyian
  Bm7 D Dm
Seribu dewa-dewi cinta menggema dunia

  A
Bila aku jatuh cinta
  F#m
Aku melihat matahari
  Bm7
Kan datang padaku
  D Dm A
Dan memelukku dengan sayang

Back to intro

  A
Bila aku jatuh cinta
  F#m
Aku melihat sang bulan
  Bm7
Kan datang padaku
  D Dm
Dan menemani aku .. Oh..

Chorus
  A Bm7 C#m D
Melewati dinginnya mimpi
  A Bm7 C#m D Dm
Melewati dinginnya mimpi noo.. haa..

A Bm
Bila aku jatuh cinta
  C#m D Dm
Jatuh cinta bersama dirimu
Dm
Peluk aku dan ciumlah aku
  A Bm7 C#m D
Sayang saying

Back to chorus
  A
Bila aku jatuh cinta

D'Masiv - Diantara Kalian

  Am  
kuakui ku sangat sangat menginginkanmu 
C G D/F# 
tapi kini ku sadar ku diantara kalian 
Am Bm  
aku tak mengerti  
  C D 
ini semua harus terjadi 

Em Am 
kuakui ku sangat sangat mengharapkanmu 
C G D/F# 
tapi kini ku sadar ku tak akan bisa 
Am Bm 
aku tak mengerti 
  C D 
ini semua harus terjadi 

[reff] 
Am D G C 
lupakan aku kembali padanya 
Am Bm Em D 
aku bukan siapa- siapa untukmu 
Am D G C 
kucintaimu tak berarti bahwa 
Am Bm C 
ku harus memilikimu slamanya 

Em D C 
aaaa aaa... 

G Am  
kuakui ku sangat sangat menginginkanmu 
C G D/F# 
tapi kini ku sadar ku diantara kalian 
Am Bm  
aku tak mengerti  
  C D 
ini semua harus terjadi 

[interlude] Em Bm C G D/F#

Wednesday, May 27, 2009

D'Masiv - Diam Tanpa Kata

[intro] C F C F

F C
kau diam tanpa kata
Dm Am G
kau seolah jenuh padaku
F C
ku ingin kau bicara
Dm Am G
katakan saja apa salahku

F
sungguh aku tak mengerti
Dm
apa yang tlah terjadi
F
dan ku tak ingin engkau pergi jauh
Dm G
dari hidupku

[chorus]
C G/B
kau takkan pernah sadari
Am G
betapa ku mencintaimu
F
kau yang selalu
Fm
aku banggakan


F C
ku ingin kau bicara
Dm Am G
katakan saja apa maumu

F
lihat aku coba kau mengerti
Dm
ini semua bisa teratasi
F
resah bila semua yang pernah
Dm G
kita lakukan

[chorus2]
C G/B
kau takkan pernah sadari
Am G
betapa ku mencintaimu
F
kau yang selalu
Fm
aku banggakan
C G/B
kau takkan pernah mengerti
Am G
betapa ku menyayangimu
F
kau yang selalu
Fm
aku inginkan

[intro] Dm Em F G

Dm
kau yang kuinginkan
Em
kau yang kubutuhkan
F
kau yang kuharapkan
G
haaa...

[coda] C F C F C

D'Masiv - Merindukanmu

[intro] C Cmaj7 F

C Cmaj7 F
saat aku tertawa di atas semua
C Cmaj7 F
saat aku menangisi kesedihanku

Am G F
aku ingin engkau selalu ada
Am G F G
aku ingin engkau aku kenang

F Em
selama aku masih bisa bernafas
Dm G
masih sanggup berjalan
C
kan slalu memujamu
F
meski ku tak tau lagi
Em A
engkau ada di mana
Dm G 
dengarkan aku ku merindukanmu



C Cmaj7 F
saat aku mencoba merubah sgalanya
C Cmaj7 F
saat aku meratapi kekalahanku

[interlude] Am G F G

Am Dm
F G C
dengarkan aku ku merindukanmu

Warner Bros History

Warner Bros. Studios, one of the foremost motion picture and television production and post production facilities in the world, is the site on which hundreds of unforgettable films and television shows have been created and filmed. The historic 110-acre facility is home to 29 sound stages plus a 20-acre backlot that can double as almost anywhere, be it a bustling metropolitan city, a jungle in the rainforest or Main Street, USA. With its world class post production facilities and complete range of production-related services,including costume, property/set dressing, set design and construction, scenic art, set lighting, grip, transportation and photo lab,the Studio has continually been updated, remaining true to the world-class standards of creativity and technology pioneered by the Warner Brothers,Harry, Sam, Albert and Jack. 
 
 The Studio was originally built on a plot of farmland in 1926 by First National Pictures, which Warner Bros. acquired in 1928 following the financial success of ,"The Jazz Singer,," the historic first ,"talking picture.," Two of the facility," oldest and most-used exterior sets, Brownstone Street, renamed Ashley Boulevard in 2002, and the adjacent New York Street, were built soon thereafter. With the new facility, the Warner Brothers were soon turning out movies at a feverish pace,including some 86 features in 1929 alone. 
 
 In the early 1930s, with films such as "Little Caesar" and "The Public Enemy" the era of the classic Warner gangster dramas was in full flower as well as the start of the Studio," long tradition of producing socially conscious films such as ,"I Am a Fugitive From a Chain Gang," and ,"They Won't Forget.," The company employed Darryl F. Zanuck as production chief under Jack Warner as well as ,"contract players," who became some of the greatest stars of all time: Bette Davis, James Cagney, Paul Muni, Humphrey Bogart, Edward G. Robinson and Errol Flynn, among others. 
 
 By the late 1930s, business was booming, and Warner Bros. Studios had constructed nine new soundstages, all of which are still in use today. Additionally, the company was developing its own zany brand of animation at a Hollywood annex affectionately known as ,"Termite Terrace" From the drawing boards of Tex Avery, Bob Clampett, Chuck Jones, Friz Freleng and Bob McKimson sprang the enduring characters such as Bugs Bunny, Daffy Duck, Yosemite Sam, Sylvester and Tweety who became part of the now-classic Looney Tunes and Merrie Melodies cartoons. 
 
 Two principal structures on the lot, Stage 16 and the Mill Building, and one exterior set, Midwest Street, were also built during this decade. Stage 16, the largest sound stage at Warner Bros. and one of the tallest in the world, was completed in 1935. That same year, the entire structure was raised 30 feet,using hand jacks and a lot of labor,to accommodate an elephantine musical, ,"Cain and Mabel.," Since then, in addition to housing some of the grandest sets in Studio history, it has been fitted with a tank that holds over two million gallons of water. The Mill Building, with its myriad crafts departments from the metal shop to scenic art, was constructed in 1937 and still houses these same departments today. A popular outdoor set, Midwest Street, with its store fronts, grass lawns, church and central gazebo, is perhaps most recognizable as River City in ,"The Music Man" 
 
 With production in full swing in the 1940s, Warner Bros. added three more soundstages to its studio lot and produced such classic films as ,"Casablanca" ,"Yankee Doodle Dandy" and ,"The Maltese Falcon" In 1941, an exterior residential set was constructed adjacent to Midwest Street for the Ronald Reagan film ,"King," Row.," The street has been in continual use ever since that time, its sets serving home to James Dean in ,"East of Eden", Robert Preston in "The Music Man", and John Wayne in "The Shootist" 
 
 The 1950s brought such film successes as "A Streetcar Named Desire" ,"A Star is Born" and ,"The Searchers" as well as the three films which made James Dean a legend: ,"East of Eden" ,"Rebel Without a Cause" and "Giant" Additionally, in 1955 the Studio made a bold move into the new arena of television. Warner Bros. Television was born with the debut of the western adventure "Cheyenne". Also launched that decade were now-classic series "Maverick" ,"77 Sunset Strip" ,"Colt .45" and "Hawaiian Eye" many of which were filmed on the Studios's former Western backlot, Laramie Street. 
 
 The Studio Jungle set constructed in 1956 for the movie "Santiago" with Alan Ladd is designed to simulate any wooded area and is complemented by a lagoon that holds over 250,000 gallons of water. 
 
 The 1960's was an era of great activity and reorganization at the Studio. Warner Bros. produced such memorable and critically acclaimed films as the Academy Award winning "My Fair Lady" ,"Bonnie and Clyde" ,"Splendor in the Grass" ,"Who's Afraid of Virginia Woolf?" ,"Cool Hand Luke" ,"Camelot" and ,"The Wild Bunch" as well as television shows ,"F Troop," and ,"The FBI" In 1967, an aging Jack Warner sold the Studio to Elliot and Ken Hyman, who renamed it Warner Bros.- Seven Arts. It wasn't too long before, in 1969, Warner Bros.- Seven Arts was purchased by Steve Ross and his Kinney Corporation, and the company became Warner Communications, Inc. DC Comics, which Ross had purchased along with its characters in 1968, was folded into the WCI family. 
In 1972, Warner Communications and Columbia Pictures joined forces to create a single production facility called The Burbank Studios. Serving two of Hollywood's entertainment giants, the studio resembled more than ever before a small city with its own fire department, mail services, bank, restaurant and bicycle shop. Also at this time, The Burbank Studios acquired what is now the Warner Bros. Ranch. Adjacent to the Main lot, the 32-acre facility houses five sound stages and exterior sets, including Park Boulevard and Blondie Street, a circle of residential houses which have hosted such beloved television classics as "Bewitched" ,"The Partridge Family" ,"Dennis the Menace" and "I Dream of Jeannie" 
 
 Meanwhile, in filmed entertainment, the studio enjoyed such landmark films as "A Clockwork Orange" ,"Klute" ,"Dirty Harry" ,"The Exorcist" ,"Blazing Saddles" ,"All the President's Men" and ,"Superman" and television shows ,"Kung Fu" ,"Alice" ,"Chico and the Man" ,"Wonder Woman" ,"Welcome Back, Kotter" and ,"The Dukes of Hazzard". The 70's also saw rise to a new genre of television programming,the mini-series,in which the Studio established an almost unequaled record of excellence from the start with its exclusive agreement with producer David L. Wolper, who went on to produce some of televisions most-watched and honored productions, including ,"Roots" ,"The Thorn Birds" and ,"North & South" 
 
 The company continued producing award-winning and lucrative films in the 1980s such as ,"Chariots of Fire" (which received a Best Picture Oscar), "The Right Stuff" ,"The Color Purple" ,"Dangerous Liaisons" the Police Academy films, the National Lampoon Vacation movies, "Full Metal Jacket", the first two installments in the "Lethal Weapon" series ,"Batman" and "Driving Miss Daisy" which also garnered a Best Picture Oscar. On the television side, Warner Bros. Television launched such acclaimed and popular shows as "Murphy Brown" ,"Life Goes On" ,"China Beach" ,"Growing Pains" and ,"Spenser: For Hire" many of which were shot on the Studio lot. 
 
 On the lot, exterior set Tenement Street was renamed Hennesy Street after art director Dale Hennesy, who redesigned the set for the film ,"Annie". The area is characterized by its Lower-East-Side-themed alleys with fire escapes and storefront windows and has since been used for such features as ,"Pee-Wee's Big Adventure" and the Batman films. 
 
 In 1989, Warner Communications, Inc. acquired entertainment powerhouse Lorimar Telepictures, bringing the rich Lorimar library as well as its quality and creative television production arm under the Warner umbrella. 
 
 The 1990s were a seminal decade for the Studio, starting with the 1990 merger of Warner Communications, Inc. and Time Inc. to form Time Warner, Inc., one of the world's largest communications and entertainment companies. In June of that year, the company acquired the entire studio lot and celebrated its rededication as Warner Bros. Studios with a star-studded extravaganza entitled "The Celebration of Tradition." Also during this decade, Warner Bros. Television and Lorimar consolidated to form one of the most prolific and successful television production companies of all time, featuring such international mega-hits as ,"ER" ,"Friends" ,"The Drew Carey Show," as well as launching the country," fifth broadcast network, The WB, in 1995. 
 
 At the box office, Warner Bros. Pictures continued to break records and earn critical acclaim with such films as ,"GoodFellas" ,"JFK" ,"The Fugitive" ,"The Bodyguard" ,"The Matrix" and ,"Unforgiven" which garnered four Oscars, including Best Picture. 
 
 The new millennium has brought many changes and history-making events. In 2001, Warner Bros., parent company Time Warner Inc. merged with America Online, Inc. to form the world's foremost media and communications company, with industry-leading businesses including cable networks, cable systems, interactive services, music, publishing and filmed entertainment. 
 
 On the feature film side, Warner Bros. Pictures introduced the world to the Harry Potter series, which shattered several box office and industry records and launched a cultural phenomenon. Other successes at the box office have included the three installments in the ,"Ocean's" series, "The Matrix Reloaded," and "The Matrix Revolutions" ,"Troy" ,"The Polar Express" ,"Charlie and the Chocolate Factory" ,"Superman Returns" ,"Batman Begins" ,"300" and three Academy Award-winning films: "Million Dollar Baby" ,"The Departed" and "Happy Feet" 
 
 In television, Warner Bros. Television has continued to maintain its position as an industry-leading supplier of programming to the six broadcast networks with hits including ,"Gilmore Girls" ,"Two and a Half Men" ,"Cold Case" and ,"Without a Trace". In 2006, The WB Network was replaced with The CW Network, a joint venture with CBS Corporation. 
 
 Two new exterior sets were also constructed on the backlot. Replacing Laramie Street was Warner Village, which debuted in 2004. Behind the street, 11 New England-style homes lies approximately 42,000 square feet of office space. Park Place was finished in July 2007 and offers four-story commercial and residential exteriors with brick and stone finishes, paved sidewalks and a single lane street, all circling a grassy park. 
 
 Today, Warner Bros. Studios continues to embody the traditions and lore of the classic films and television shows of the past while setting the standard for excellence in production facilities.

F1 History

The modern era of Formula One Grand Prix racing began in 1950, but the roots of F1 are far earlier, tracing to the pioneering road races in France in the 1890s, through the Edwardian years, the bleak twenties, the German domination of the 1930s and the early post-war years of Italian supremacy. 

At the birth of racing, cars were upright and heavy, roads were tarred sand or wood, reliability was problematic, drivers were accompanied by mechanics, and races — usually on public roads from town to town — were impossibly long by modern standards. Regarded as the first motor race proper was a 1,200 km road race from Paris to Bordeaux and back in 1895, won by Émile Levassor with his Panhard et Levassor in 48 hours. One of the most successful drivers of the early years was Fernand Charron, who won the Paris-Bordeaux race in 1899, also in a Panhard, at the blazing average speed of 29.9 mph. 

The first race using the appellation "Grand Prix" was 1901's French Grand Prix at Le Mans, won by Ferencz Szisz with a Renault, who covered the 700 miles at 63.0 mph. In 1908 the Targa Florio in Sicily saw the appearance of "pits," shallow emplacements dug by the side of the track where mechanics could labor with the detachable rims on early GP car tires — themselves a major technical improvement over the earlier technique of permanently attached wheels and spokes. But even so, racing cars of the early years were too heavy and fast for their tires; Christian Lauteschalnger's winning Mercedes shredded 10 tires in the 1908 French Grand Prix at Dieppe! 

In 1914, the massive 4 1/2 litre Mercedes of Daimler-Benz dominated the French Grand Prix at Lyons — 20 laps of a 23.3 mile circuit — taking the first three places and introducing control of drivers by signal from the pits. During World War I, racing was halted in Europe, and many drivers participated in the U.S. Indianapolis 500. Enzo Ferrari — who's real fame was to follow as a team manager and manufacturer with Scuderia Ferrari, formed in 1929 to race Alfa Roméo P2s —- finished second in the 1920 Voiturette race at Le Mans, the first international road race in France in six years.
 
By tradition the Italian racing driver in action is an excitable character given to shouting, gesticulating, waving his fists, baring his teeth and in general giving way to his emotions. Tazio Nuvolari filled this role splendidly. 

The Farmer's Son - Cyril Posthumus 
 

The first (and, until Dan Gurney's Eagle-Weslake at Spa-Francorchamps in 1967, the only) Grand Prix victory by an American-built car was by Jimmy Murphy in the 1921 French Grand Prix at Le Mans, driving a Duesnberg. Among the best of the 1920s manufacturers were Bugatti, whose straight-eight Type 35Bs won the French and Spanish GPs in 1929 and the Monaco, French and Belgian GPs in 1930, and Fiat, which introduced the supercharger for the first time in 1923. 

The Great Depression of the early 1930s led to a lack of money and interest in Grand Prix racing, but saw the emergence of the legendary Tazio Nuvolari, whose wins in the Alfa Romeo P3 "Monza" in the Mille Miglia, at Monaco and the Italian GP at Monza were stunning. His victory in the 1933 Monaco GP was the first in which staring grid positions were determined by qualifying times. But in 1934, the balance of power in racing would begin to shift from Italy to Germany, with the emergence of factory teams from Auto Union (now Audi) and Mercedes-Benz, behind massive financial support from the Third Reich government on orders from Adolph Hitler.

These powerful and beautiful German machines introduced aerodynamics into Grand Prix car design and ran on exotic, secret fuel brews. Driving the sleek, silver 3-litre V12 Auto Union in his trademark canary yellow jersey, Nuvolari achieved new greatness with these incredibly well-engineered automobiles — but nothing to top his 1935 German GP victory at the Nürburgring, where he defeated nine modern German cars in a four-year old Alfa Roméo.
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